THE WILLIAM CLAXTON COLLECTION 180 pure virgin vinyl LPs in Gatefold packaging
Although "Miles Ahead" marked Miles Davis’ first recording with the Gil Evans Orchestra, it was Bnot their first collaboration. BThey had known and respected each other since the Bmid-Forties and in 1948-49 they were the two primary architects Bbehind the Birth of the Cool, with respect to both the perennial nonet album and the “cool” sound which became Bassociated with it and which developed into a new jazz style. Miles Ahead, Miles’ first recording on flugelhorn, is a Bcompletely refined product in which the arrangements, the repertoire and the mood of every improvisation were carefully selected. Even though the album is formed by pieces by different composers, Evans’ arrangements create the effect of a concerto more than individual pieces put together.
PERSONNEL:
MILES DAVIS, flugelhorn With THE GIL EVANS ORCHESTRA
Bernie Glow, Ernie Royal, Louis Mucci, Taft Jordan, John Carisi (tp), Frank Rehak, Jimmy Cleveland, Joe Bennett (tb), Tom Mitchell (b-tb), Willie Ruff, Jimmy Buffington, Tony Miranda (fhr), Bill Barber (tu), Lee Konitz (as), Danny Bank (b-cl), Romeo Penque, Sid Cooper (cl, fl), Gil Evans, Wynton Kelly (p), Paul Chambers (b), Art Taylor (d), Gil Evans (arr, cond). New York, May 6-27, 1957.
SIDE A:
1 SPRINGSVILLE 2 THE MAIDS OF CADIZ 3 THE DUKE 4 MY SHIP 5 MILES AHEAD
SIDE B:
1 BLUES FOR PABLO 2 NEW RHUMBA 3 THE MEANING OF THE BLUES 4 LAMENT 5 I DON’T WANNA BE KISSED [By Anyone But You]
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